Review of Frightened Rabbit, at Strathpeffer Pavillion on the 21st of April, 2012, by Chris Lemon. Photos by Frank Finlayson.

Given that I am in the throes of completing a final essay, please excuse my shallow attempts to create an academic feel to this review. So I dedicate this review to anyone in a similar position (and yes, referencing is not my forte).

In 750 words describe the entity of Frightened Rabbit, making reference to a recent appearance with evidence as appropriate.

For this assignment I will firstly describe the term Frightened Rabbit (Frabbit), secondly I will contextualize the term in a live setting (for this assignment I will refer to the live appearance of the 21st of April 2012 at Strathpeffer Pavilion). Finally I will draw conclusion from the context  evaluating performance as appropriate.

Frabbit are  lead vocalist, rhythm guitarist and lyricist Scott Hutchison, guitarist and bassist Billy Kennedy, guitarist Andy Monaghan, drummer Grant Hutchison and guitarist and keyboardist Gordon Skene (Wikipedia, 2012), for a short history of the formation of the band please see Raber (2010). Scott has been described as “Brian Blessed-bearded Moses” (Mackay, 2011), appearance aside, Pollock (2012) described the band at a recent appearance as having “a rare instinct for widescreen, dramatic indie rock which pulls at the heart.”

Frabbit were playing Strathpeffer Pavilion, described as “A beautiful and historic venue in the unique setting of a Victorian spa village in the heart of the Highlands of Scotland” (Anon, 2012), as part of their Highland Tour. The official website (2012) explained “It can be a right bastard living miles from the city when you want to go and watch a bit of the ol’ rock music”, it can be concluded that the aim was to bring the live show to their more rural fans.

The gig was sold out, all bar a clutch of tickets, however there remained plenty room to manoeuvre, in what can definitely be called the most civilised venue in the area (separate bar, renovated pavilion, and £2.50 a can of beer, with a choice as to whether you want in the tin or in a glass – very posh (but for glass read plastic container)).

 

Little can be said of support act: Brazil Exists, “they are very “Frabbit”” an audience member commented very early into the set, there was no evidence of this changing throughout. An opportunity to contrast or stand alone, may have benefitted the Stirling based amicable quintet, who apparently have a drummer that likes sleeping in toilets of Youth Hostels they don’t stay in (there must be a story there…).

So to Frabbit, from walking on the stage it felt very much like a homecoming, a feeling reciprocated by the band and in particular Scott, whose trouble with the guitar saw them leaving the stage but quickly returning. A sign of things to come? Not a chance. Laidback, maybe, but certainly not casual.

 

The energy of the band was clear for anybody to see in an almost relentless set despite the arguably melancholy of some of the lyrics. Clapping, stomping and yes the crowd were definitely lapping it up. The audience were noteworthy both for making a noise, becoming a “big Strathpeffer accordion” when called for, and for their respectful silence, during Scott’s acoustic solo of “Poke”.

 

Whilst “The Winter of Mixed Drinks” tracks “The Loneliness & The Scream” and “Swim ‘til you can’t see the land” competed for rabble rousing choruses there was an emphasis  on the 2008 release “The Midnight Organ Fight” with  tracks bouncing along especially for the likes of “Old Old Fashioned” “The Twist” and of course “The Modern Leper”.

 

“Keep Yourself Warm” was the last song of the evening, moving the crowd towards a crescendo with such power that nearly no one noticed that it was the only song of the encore.

There has been lots said about Frightened Rabbit “taking it to another level”, and with the band returning to the studio to finish of the new album, you cannot argue that this is inevitable. However there was something quite perfect about the performance tonight that you hope the “next level”, wherever that may lead, does not detract or distract from their undeniable charm and talent.

A few more pics, come like us on Facebook.

Reference List

Anon (2012) http://www.strathpefferpavilion.org/ [accessed 22 Apr 2012].
Official Website (2012) Highlands Tour 2012 http://frightenedrabbit.com/updates/highlands-tour-2012 [accessed 22 Apr 2012].

Pollock, D (2012). “Gig review: Frightened Rabbit, Picture House, Edinburgh” http://www.scotsman.com/the-scotsman/scotland/gig_review_frightened_rabbit_picture_house_edinburgh_1_2111128 [accessed 22 Apr 2012].

Raber, R (2010). “Frightened Rabbit The Winter of Mixed Drinks”  http://pitchfork.com/reviews/albums/13983-the-winter-of-mixed-drinks/ [accessed 22 Apr 2012].

Wikipedia (2012). “Frightened Rabbit”, http://en.wikipedia.org/wiki/Wikipedia:Frightened_Rabbit [accessed 22 Apr 2012].

Mackay, E (2011). “Live Review : Rockness” http://www.nme.com/reviews/frightened-rabbit/12167 [accessed 22 Apr 2012].

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A lifelong passion for music matched with a geeky fascination for social media and websites resulted in the creation of Inverness Gigs back in 2010. The aim of the site is to help promote, support and generally raise awareness of the local music scene.In fairness fifteen years of being a psychiatric nurse never prepared me for the experiences that we have had over the last few years and the evolution of Inverness Gigs has certainly been a steep learning curve.I currently write (less and less), edit and co-ordinate most of the Inverness Gigs activities.Occasionally seen on Twitter, and  LinkedIn, if you want get in touch you can contact me direct at chris@igi.gs